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・ José María Alviso
・ José María Amador
・ José María Amigó Ferrer
・ José María Anaya Ochoa
・ José María Angresola
・ José María Antón
・ José María Araúz de Robles Estremera
・ José María Arguedas
・ José María Arizmendiarrieta
・ José María Asensio
・ José María Avilés Province
・ José María Aznar
・ José María Barreda
・ José María Basanta
・ José María Belauste
José María Beltrán
・ José María Benegas
・ José María Benítez
・ José María Bermúdez
・ José María Bocanegra
・ José María Bonilla
・ José María Buljubasich
・ José María Bustamante
・ José María Bustillo
・ José María Bustillo (Argentina)
・ José María Bustillo (Honduran)
・ José María Cabo Puig
・ José María Cabral
・ José María Cabral (director)
・ José María Cabral Bermúdez


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José María Beltrán : ウィキペディア英語版
José María Beltrán
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José María Beltrán Ausejo (3 June 1898 - 22 January 1962 in Zaragoza, Spain) was a prolific Spanish cinematographer who worked in Spanish, Argentine, Venezuelan and Brazilian cinema. He was involved in the cinematography of almost 80 films between 1925 and his death, and is best known for his work in Argentina in the 1940s and early 1950s.
He worked with director Francisco Múgica on a number of Argentine films including the 1942 film ''Adolescencia. His photography for the 1951 film ''La Balandra Isabel llegó esta tarde'' won him significant recognition in Europe and he won best photography at the Cannes Film Festival of that year. In 1952 he worked on one of the most acclaimed films of that year ''Las Aguas Bajan Turbias'' (1952) which won the Silver Condor Award for Best Film in 1953.
==Selected filmography==

* ''Sister San Sulpicio'' (1927)
* ''Our Lady of Sorrows'' (1934)
* ''Paths of Faith'' (1938)
* ''The Intruder'' (1939)
* ''The Englishman of the Bones'' (1940)
* ''White Eagle'' (1941)
* ''Our Natacha'' (1944)
* ''The Phantom Lady'' (1945)
* ''Savage Pampas'' (1945)
* ''Where Words Fail'' (1946)

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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